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	<title>@CHM Blog &#187; Honeywell Animals</title>
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		<title>The Artifact Doctor Will See You Now</title>
		<link>http://www.computerhistory.org/atchm/the-artifact-doctor-will-see-you-now/</link>
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		<pubDate>Mon, 08 Apr 2013 21:04:54 +0000</pubDate>
		<dc:creator>Karen Kroslowitz</dc:creator>
				<category><![CDATA[Behind the Scenes]]></category>
		<category><![CDATA[Adopt an Artifact]]></category>
		<category><![CDATA[Artifact Conservation]]></category>
		<category><![CDATA[Honeywell Animals]]></category>

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		<description><![CDATA[Q: What do a lame fox, loose disk drive reels and J.M. Jacquard’s dirty face have in common? &#160; A: They all need health insurance. &#160; A few months ago, the Museum was the recipient of a mystery package. Inside was a 1970’s era suitcase. Buried within was the wonderful surprise of 21 individually bubble-wrapped pieces of a salesman’s scale model of a National Cash Register 304 system. (Thank you donor, Albert Schott, for bestowing <a href="http://www.computerhistory.org/atchm/the-artifact-doctor-will-see-you-now/">[&#8230;]</a>]]></description>
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		<title>The Honeywell Animals</title>
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		<pubDate>Tue, 18 Sep 2012 18:13:16 +0000</pubDate>
		<dc:creator>Dag Spicer</dc:creator>
				<category><![CDATA[From the Collection]]></category>
		<category><![CDATA[Honeywell Animals]]></category>
		<category><![CDATA[Sculpture]]></category>

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		<description><![CDATA[Art always tells us something about the times in which it was created. Take Andy Warhol’s Campbell&#8217;s soup cans for example, which caricature the effects of mass consumer taste on art. Or sculptor and architect Gian Lorenzo Bernini’s Apollo and Daphne, which shows two human figures carved in marble in a breathtaking display of movement and form so typical of the high baroque period. The materials they used, the techniques the employed, and the patronage <a href="http://www.computerhistory.org/atchm/honeywell-animals/">[&#8230;]</a>]]></description>
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